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Lesson Overview
I.
OVERVIEW OF THE LESSON
A.
February 6th, 2010
B. Seven
45 minute Lessons
C. Group
Practice followed by Individual Project
D.
Incorporating Georgia O’Keeffe’s style into Mathematical Grid Drawing
E.
Fourth Grade
F. Miss
Jessica Croll
II.
PENNSYLVANIA STATE STANDARDS
A.
2.3.5.A- Select and use appropriate instruments and units for measuring
quantities (e.g., perimeter, volumes, arena, weight, time, temperature).
B.
2.3.5.B- Select and use standard tools to measure the size of figures
with specified accuracy, including length, width, perimeter and area.
C.
9.1.5.D- Describe and use knowledge of a specific style within each art
form through a performance or exhibition of a unique work.
D.
9.1.5.H- Use and maintain materials, equipment and tools safely at work
and performance spaces.
III.
GENERAL OBJECTIVES
A.
Students will learn how to do a graphic enlargement grid drawing which
examines the proportions of a drawing and utilizes the practice of scale
drawing. They will also appreciate the styles and techniques signature
of Georgia O’Keeffe by imitating her work utilizing methods with oil
pastels.
IV.
BEHAVIORAL OBJECTIVES
A.
Given that the students have already learned about, discussed, and
viewed examples of Georgia O’Keeffe’s work and biography, students will
create their own O’Keeffe-like oil pastel drawing, utilizing the
mathematical concept of graphic enlargement and scale drawing. Students
will present their works at the end, and should be able to explain their
mathematical process of graphic enlargement as well as a brief
description of their artistic techniques using at least three of the
artistic vocabulary words discussed.
V.
INSTRUCTIONAL MATERIALS
-
Pencils
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Erasers
-
Grid Drawing Practice Worksheets (see attached)
-
Rulers
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Coloring Book Pages
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Construction Paper
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Tape
-
Sketch Paper
-
Large Poster Paper
-
Oil Pastels
-
Blending tools (i.e. paper towels, paper stylus, etc.)
VI.
VOCABULARY
Medium-
The art material that is used in a work of art. Plural is media.
Pastel- A type of media. Colors go from soft to brilliant in a
stick form. When the paper is covered completely, it is known as a
pastel painting.
Primary Colors- Red, blue, and yellow
Secondary Colors- Orange, violet, and green. Each color is midway
between the Primaries from which it can be mixed.
Shade- Using a mixture of black mixed with a color to make it
darker. The opposite of shade is tint.
Tint- Tint is the opposite of shade. Tinting is combining white
with a color to make it lighter.
Value- Shadows, darkness, contrasts, and light are all values in
artwork.
VII.
ACTIVITY AND PROCEDURE
A.
DAY ONE
i.
MOTIVATION and INTRODUCTION
a)
Students will be lead into a review discussion about Georgia
O’Keeffe and her work. Then students will be told that they will be
creating their own O’Keeffe-like paintings using oil pastels and
mathematical methods during the next week. Teacher will ease nervous
student’s fears by showing students her own drawing, and assuring again
and again that everyone will be able to make a beautiful painting like
this. Teacher will also tell students that the end of the project will
be the 7th class, which will be an “Art Exhibit Opening”,
complete with refreshments and the artists presenting and explaining
their work before they are put on display. Parents will be encouraged to
come and help with the “Art Exhibit Opening”.
ii.
DEVELOPMENT
a)
Students will spend the first day practicing a grid drawing as a
class. Worksheets will be handed out, and a grid will be drawn on the
board. Teacher and class will go step-by-step, square-by-square, to
replicate an image both on the board and on each student’s individual
paper. Teacher will be sure to discuss how the drawings are to scale,
and lead students into answering how they might choose their own scale,
which they will have to do with their O’Keefe-like drawing. As the
students gain more confidence throughout the class drawing, teacher will
give them more time to work ahead and finish the picture on their own.
iii.
STRATEGIES FOR DIVERSE LEARNERS
a)
As this is not a very language oriented, and a very class
involved AND individually motivated lesson, this does not need much
accommodation for students with special needs. Students will be allowed
and encouraged to work at their own pace, and once students get to work
by themselves, teacher and aids will be available to offer help when it
is needed. Teachers and aids, however, should not DO a project for ANY
student, as individual interpretation is encouraged.
iv.
SUMMARY AND CLOSE
a)
Students will walk around the room at the end of the period and
look at each other’s interpretations of their pictures. This will prompt
the teacher to lead the class in a discussion about how different,
unique interpretations are not only ok, but encouraged in art, and that
this will be rewarded on the final product. This will hopefully provide
nervous students with more confidence about how their final project will
turn out.
v.
ASSIGNMENT
a)
Students will be given second grid drawing worksheet to take home
with them, including choosing their own scale to do the drawing in. The
more practice the students get with this technique, the more comfortable
they will be to use it on their final product.
B.
DAY TWO
i.
INTRODUCTION
a)
Reminder of the final project, and overview of the previous
night’s homework, much in the same manner of the worksheet done the
previous day. Students will then be told that they are going to be
sketching out their final projects today.
ii.
DEVELOPMENT
a)
Students will start out by picking out which coloring book image
that they wish to use. Before selecting their image, however, teacher
will demonstrate how to make the view-finder with the construction paper
and the tape, and discuss how the final product will only be a section
of the coloring book image, using her original image compared to her
final product, which is always on the board as a final goal for the
students to look for. After students have selected the image of their
choosing and found a view with the viewfinder, the teacher will stop
their progress and lead the class into a discussion and review of
choosing of scale while handing out the large poster paper. The teacher
will state that each student must have their scale figured out and
approved before sketching starts. Students will then draw a grid on
their picture and a grid on their large poster paper that corresponds to
it after it meets approval. Students will then use the rest of the
period to finish sketching, and will be reminded to use soft, whisper,
sketching lines that can be erased easily.
iii.
STRATEGIES FOR DIVERSE LEARNERS
a)
Again, this project is very individually paced, so teachers and
aids will be available for assistance, but NOT for answers or to do it
for students.
iv.
SUMMARY AND CLOSURE
a)
Instruct students to clean up their areas, that wherever they are
is perfectly fine because they will have plenty of time to complete the
project, but invite those who want to take the project home to feel free
and finish their sketches. Teacher will then lead the class in a brief,
informal discussion on if students were surprised and or delighted in
their sketches so far, and ask about any concerns or questions students
may have.
C.
DAY THREE
i.
INTRODUCTION AND MOTIVATION
a)
Students will be told that today they is an all art day, where
they will be free to finish up their sketches and will begin exploring
the medium of oil pastels and different ways to use them.
ii.
DEVELOPMENT
a)
Before students get their sketches back, teacher will hand out
lots of sketch papers and oil pastels (in groups) to students. This is
so that students can take as much time as they want experimenting with
the various blending and application techniques of using oil pastels
without the threat of harming their sketches. Teacher will then guide
the students through their exploration of the media, first by leading
them in a review of the color wheel and how difference colors mix
together to make other colors, shades, and tints, and then by
encouraging students to try various blending techniques. This lesson
will be structured almost as an experiment, as students will discover
how oil pastels work and blend, and the teacher only occasionally
offering suggestions on what students could try to use next. Teacher
will state, while students are experimenting, that final projects will
get higher points on the rubric if they use these blending techniques on
their artwork, as this representative of Georgia O’Keeffe’s signature
style. Students will be told that, when they are ready, they can bring
their sketches out and either finish their sketching or start using
their oil pastels on their drawing, but reminded that constant
experimentation on sketch paper is encouraged and alright.
iii.
SUMMARY AND CLOSURE
a)
Teacher will instruct students when it’s time to clean up, and
offer the opportunity for students to take their drawings home again,
granted they go through the proper sign-out procedure for the artistic
materials. Teacher will also lead students in another brief and informal
discussion about what they learned about how to use oil pastels, and if
anyone had any ideas about how they might want to use color in their
projects.
D.
DAYS FOUR, FIVE, AND SIX
i.
INTRODUCTION AND MOTIVATION
a)
Teacher will tell students that these are open studio days to
work on their projects so that they have plenty of in-class time to
finish the assignment (and a weekend) before the “Art Exhibit Opening”.
On Day Five or Six, possible brief planning for refreshments and helpers
for the “Art Exhibit Opening”.
ii.
DEVELOPMENT
a)
Students are given sufficient class time to work on and perfect
these projects, as in both set-up and clean-up, time is inevitably cut
short. Student’s own pace will be encouraged, however students that
finish their artwork before the conclusion of Day six will be encouraged
for first work on what they will be presenting at the “Art Exhibit
Opening”, and then be an apprentice/helper to their classmates.
iii.
STRATEGIES FOR DIVERSE LEARNERS
a)
Students with special needs might need more time to complete this
project than allotted, so they will be given first preference over
taking materials home to work on them, and/or offered additional times
they can come to the classroom and work on them. However, as everyone
else, they are still expected to have a completed project by the seventh
class.
iv.
SUMMARY AND CLOSURE
a)
Each day, the teacher will remind students that they should have
their projects and presentations completed for the seventh class, and
that presentations are to be completed on their own time, since the
presentations are informal explanations of their procedures. A rubric of
expectations of this project will have been passed out to the students
by the third class period, so any questions and concerns will be
addressed.
v.
ASSIGNMENT
a)
Students will be invited to take their works home, and also
required to work on their presentations for the “Art Exhibit Opening” at
home on their own time.
E.
DAY SEVEN
i.
INTRODUCTION AND MOTIVATION
a)
This is the final day of the project, the “Art Exhibit Opening”
day, with refreshments and helpers/audience members, which will
hopefully be motivation enough for the students to be excited about and
proud about their work. Teacher will start “Art Exhibit Opening” by
acting as an MC, introducing the artists, applauding their beautiful
works, and referring back to Georgia O’Keeffe, the mathematical concepts
used, and the art media practiced in this project before turning it over
for the students to do their presentations.
ii.
DEVELOPMENT
a)
Students will present their projects one at a time to the class
and the audience. When not presenting, students may enjoy their
refreshments, and must offer positive remarks and observations about
their peer’s work. Everyone’s artwork, interpretation, and effort will
be celebrated. Students, in their presentations must describe the
mathematical scale they used in their sketches, how they used their grid
drawing, the methods they used with the oil pastels to create their
blends and textures, using at least three of the vocabulary words, and
one observation or comment relating their work to Georgia O’Keeffe’s
work.
iii.
STRATEGIES FOR DIVERSE LEARNERS
a)
ESOL students may have a different rubric when it comes to their
presentation, as they might struggle with the language for describing
their processes. Consideration must be taken for each student, and
grading should be based on their effort.
iv.
SUMMARY AND CLOSURE
a)
A final discussion of the project and how the students feel about
their art overall, and how they think this helped them understand both
how to use the oil pastel medium and mathematical grid drawing.
Student’s artwork will then be on display around the classroom and in
the hallway as an Art Exhibit.
VIII.
EVALUATION
A.
ASSESSMENT
|
|
Poor (D) |
O.K (C) |
Great (B) |
Excellent (A) |
|
Mathematical Explanation |
Very little or no explanation of grid drawing and choice of
scale, and no sign that any real measurements were used |
Gives an explanation of describing the creation of the grid
drawing and choice of scale that is somewhat confusing, doesn’t
include any measurements |
Does a pretty good job of describing general procedure of
creating grid drawing and choice of scale, doesn’t include any
or many measurements |
Clearly explains the general procedure of creating grid drawing
and choice of scale, using measurements |
|
Artistic Explanation |
Very little or no explanation of procedures of how oil pastels
were used, and no evidence of any technique used in the piece |
Gives a confusing or incoherent explanation of procedures of how
oil pastels were used, with no reference to the techniques used
in the piece |
Does a pretty good job explaining procedures of how oil pastels
were used, and a few general examples of techniques used in work |
Clearly explains the general procedure of how oil pastels were
used and specific examples of techniques pointed out in work |
|
Vocabulary Usage |
Uses none of the artistic vocabulary discussed and doesn’t offer
any explanation or understanding of vocabulary |
Uses less than three of the artistic vocabulary discussed,
and/or doesn’t explain vocabulary |
Uses and explains three of the artistic vocabulary discussed |
Uses and explains more than three of the artistic vocabulary
discussed |
|
Georgia O’Keeffe Connection |
Does not relate own work to Georgia O’Keeffe, does not
demonstrate any knowledge of Georgia O’Keeffe’s style |
Barely relates own work to Georgia O’Keeffe, does not
demonstrate any knowledge of Georgia O’Keeffe’s style |
Relates own work to the style of Georgia O’Keeffe in a
generalized way without pointing to specific similarities and/or
differences |
Thoughtfully relates own work to the style of Georgia O’Keeffe,
pointing out specific similarities and/or differences |
Art Exhibit Opening Presentations
Students
who do not produce anything to present during the Art Exhibit Opening
will receive a Failing Grade (F)
B.
SELF EVALUATION
i.
Teacher will look at final products and presentations, and see
what the students understood and conveyed best in their presentations,
and what should merit more focus and have some more time devoted to it.
Teacher will also note student’s enthusiasm and self-esteem and sense of
accomplishment and pride during the activity, as this lesson is supposed
to boost, not crush, these things.
Updated March 2007 |